There is no one rural woman’s story, but a multiplicity of stories.
Charreada celebrates Mexican culture and heritage, but women encounter limitations.
In Heartland, Smarsh eloquently unpacks the harsh realities of the working poor in places that are simultaneously celebrated as the nation’s “heartland” and mocked as being part of the “great flyover.”
What works would you add to our rural women's studies canon?
International collaborations are very fruitful...offering new viewpoints on crucial questions about the present as well as the past.
Changing perceptions of rural women require different research strategies.
Feminism, food, and fun made "Tamale Making and Storytelling" one of the most productive academic panels Salmanson has ever attended.